
Refinement and classicism in Mlečnik Ana
One of the more popular questions I get asked in masterclasses is “how many days of maceration is necessary before a white wine becomes an orange wine?”
Mlečnik Ana is a great way to answer this question.
Simon J Woolf & Friends on Wild and Wonderful Wines
One of the more popular questions I get asked in masterclasses is “how many days of maceration is necessary before a white wine becomes an orange wine?”
Mlečnik Ana is a great way to answer this question.
Tricky things these artisan-made natural wines. Some days they sing, others they sulk. I presented 17 orange wines to a large group of Dutch sommeliers back in May, and although there were gems, many of the classics just weren’t showing Read more
In November 2014, I met five winemakers at a small tasting in San Floriano del Collio. Quietly spoken and rather shy, Mitja Miklus from the Draga estate seemed to blend into the background. But this young chap is smart – he doesn’t need to adopt the bluster of a salesman, his wines do the talking quite well by themselves.
For the introduction to this tasting, please see Part 1. Orange Interlude Austria shares borders with Northern Italy and Slovenia – both parts of the world with a long tradition of using extended skin maceration in white wine. So it’s Read more
A year living in the small Austrian town of Eisenstadt developed my considerable love not just for one of its natives, but also for the restrained and elegant wines. The issue? Availability of many of the greatest wines is pretty sparse, Read more
Never mind the special six course foraged dinner “010 020 Het Wilde”, cooked by a crack team of chefs from Rotterdam and Amsterdam. The star of the show for me was de Sol a Sol – a thrilling, profound orange wine which transcends its seemingly extreme method of production – 403 days of skin contact!
I’ve featured wines from several of the Schmecke das Leben producers in this series, but not Tauss until now. Roland and Alice Tauss are perhaps the least well known winery in the group, partly due to their very small size – there’s a mere 6 hectares of vines at their bucolic estate in Southern Styria.
The spiritual and traditional nub of Georgian winemaking is the qvevri – a clay, amphora like vessel buried in the ground and described by Josko Gravner as “a womb for the wine”. Wellmade qvevri white wines can be revelatory in their freshness, intensity and uniqueness. Qvevris have become hip, and producers all over the globe are buying them up. But sometimes you need to go back to the source, to find a winemaker who really knows how to make the style sing. Gogi Dakishvili is just such a chap – head winemaker at Schuchmann estate in Kakheti, Georgia.
This autumn’s Orange wine festival (Vienna edition) was once again a busy, joyful occasion with some 80 producers from 9 countries, and 500 or more enthusiastic tasters. Many great producers were in the room, but one new discovery wowed me enough to want to share it here. Erzetič is a long established winery in Goriška Brda (effectively the Slovenian part of Friuli Collio), with 5ha of vines. Andrej Erzetič, the youngest member of the family involved in production, told me winemaking here can be traced back to 1721.
If you want to have a masterclass in how skin contact affects white wines, there’s probably no better place than Franco and Anna Sosol’s tasting room. Il Carpino is their 17ha estate, situated on the same winding hill road as Radikon and Gravner, in Friuli Collio.