
Matej Skerlj shows the elegance of Vitovska
The wonderful skin macerated Vitovska from Skerlj isn’t just a great wine, it’s also a demonstration of how different this region is from its Friuli-Venezia-Giulia neighbours.
Simon J Woolf & Friends on Wild and Wonderful Wines
The wonderful skin macerated Vitovska from Skerlj isn’t just a great wine, it’s also a demonstration of how different this region is from its Friuli-Venezia-Giulia neighbours.
Personal memories of orange wine pioneer Stanko Radikon, who passed away on September 11 2016.
Simon J Woolf discovers that Denis Montanar’s skin fermented white blend Uis Blancis isn’t just good, it’s great, on a second hearing.
In November 2014, I met five winemakers at a small tasting in San Floriano del Collio. Quietly spoken and rather shy, Mitja Miklus from the Draga estate seemed to blend into the background. But this young chap is smart – he doesn’t need to adopt the bluster of a salesman, his wines do the talking quite well by themselves.
Damijan Podversic’s decision in 1999 to reject his conventional winemaking education, in favour of a more “back to the roots” style, did not sit well with his dad who denied him usage of the family’s ancestral cellar. Since then he’s developed an impressive and tradition style of skin macerated white wines, following in the footsteps of Josko Gravner.
I’m not sure that I have heroes anymore – and those I once had were certainly not wine writers. That said, if I did, and if they were, Hugh Johnson OBE would be a candidate. Several of his books are on my Read more
“The really big change was when I tasted the wine. It was something completely new, totally different and exciting. It made me crazy, just tasting it.”
This is how Stanko Radikon describes the life changing moment in 1995 which prompted him to change the family’s entire wine production to what we now know and love as “orange wines”.
You can tell a great winemaker not by what they produce in a good year, but by what they pull together from a catastrophic one. And it didn’t get much worse than Dario Prinčič’s 2008 vintage, where some 90% of his harvest was infected with Peronospora (downy mildew). Prinčič salvaged a pitiful amount of grapes, blended the entire output together and made a one off – the aptly named “Favola”, meaning fable or legend.
Old wines never cease to fascinate me. They invariably come to the table with a story to tell, with baggage attached, with secrets and profundities that are simply impossible in the latest vintage.
This 1997 Breg from Josko Gravner is laden with resonance – it’s one of the first years that Gravner bottled his then “new” style of wine, abandoning steel tanks and French oak barriques entirely, for long skin contact and ageing in much larger more neutral oak vessels. It’s the last year that Gravner kept his old label – the now iconic red/brown vine lable has graced every produced sine 1998. It also predates his usage of amphora for commercially bottled wines.
Large oak maturation vessels at Gravner
It’s starting to become a theme in this series – edge cases which are not really orange wines. Take the sole white wine from microscopic but world reknowned Le Due Terre, in Friuli Colli Orientali. A blend of Friulano with 30% Ribolla Gialla, it has 10-12 days of skin contact. Yet it doesn’t fit the “orange wine” moniker in a stylistic sense.