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Alan March's avatar

Just a no from me. It flies in the face of everything I would want from viticulture

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David Schildknecht's avatar

I’m still mulling these issues and, in particular, the specific challenges raised by VitiVoltaic.

But a few observations ...

First, the contention that “just like it used to be” is a euphemism for “fruit [i]sn’t fully ripe” strikes me as one that only a winegrower who’s been living on another planet could voice. Excessive must weights and over-ripeness have become serious problems in winegrowing regions where that was undreamt of 30 years ago. And I daresay most of Simon’s readers have found delight in wines that in other quarters were accused of under-ripeness.

What’s radical about VitiVoltaic is that it's sophisticated hi-tech that significantly alters the vineyard environment. But if one considers each of these aspects in turn, it’s not clear to me why their conjunction should be automatically ruled out from a regimen that describes itself as natural winemaking.

Drones capable of applying plant treatments are hi-tech in my book. But I cannot conceive how a wine would be less natural or otherwise suspect simply because this rather sophisticated machinery is doing work that formerly required human hands. Pressure bombs are a relatively high-tech means of determining whether and to what degree one’s vines are stressed by water deficit and their stomata threatening to shut down. But I can’t see how “naturalness” of a wine should depend on whether a grower utilized solely observations and intuitions such as his or her grandfather might have accumulated, or has instead supplemented those with the use of a pressure bomb.

As for radically altering a vineyard environment, if one turns sheep loose on one’s vines and vineyard soil, if one plants hedges and trees not just on one’s vineyards’ perimeters but in the midst of them, if one builds or removes terraces ... these all represent pretty major alterations, and they will certainly change terroir influence and the eventual flavors of one’s wines. But there is no such thing as the natural state of a vineyard. If we want to accept some of these environmental alterations and reject others, then it strikes me we should employ the same criteria that we would in a well-reasoned attempt at defining “natural wine,” namely to ask whether they represent interventions that close off certain desirable organoleptic properties in the resultant wine, whether they render wines less healthy to consume, whether they inhibit long-term flourishing of the vines, or whether they do environmental harm as measured in terms of biodiversity and sustainability.

(Incidentally, since Simon mentioned him, I grieved when Niedermayr pulled out his last vinifera because they were Pinot Blanc that gave an exceptional wine. But there’s no question he is among a handful of winegrowers who have helped me comprehend the quality potential of Piwi’s. That said, I believe the first places to look in meeting environmental and gustatory challenges are diligent practice of massale selection and casting about for alternative vinifera varieties – which often includes ones that are part of a wine region’s history but were marginalized or eradicated, whether in the wake of phylloxera or of mechanization, because they were stubbornly acid-retentive, slow to sugar-up, low-yielding, or less amenable to farming with machines. And hard as it is to wrap one's head around this ineluctable fact, each and every vinifera cépage began - can only have begun - with a single vine, the product of single sexual dalliance. All further propagation that retains the relevant genetic makeup and fruit characteristics has been vegetative. So, by the same token, when it comes to breeding new vinifera, the set of potential cépages is for practical purposes infinite.)

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